90’s Analogue

Alice Hsieh developed her artistic practice during her architecture studies in São Paulo, Brazil.

Drawing inspiration from urban Concretism in photography and the pop‑art sensibilities of her tutors, she blended these influences in her work.
A frequent user of the school’s darkroom, she immersed herself in analogue processes, yet always revealed her core identity through her love for nature and an organic worldview.

A pair of sunglasses cast a shadow on a textured surface, creating an abstract shape.

Sombra

1997

Film Photography
Hand printed by the artist

2nd Place
Philips Young Talents Awards, 1997, Brazil.

Exhibition at MASP - São Paulo Museum of Art

Nighttime view of a body of water with moonlight reflecting off the surface.

Pôr-do-Sol

1998

Film Photography
51 x 31.5 cm

Edition of 15 + 3AP

Night sky view with dark clouds and some stars visible through a narrow opening in cloud cover.

Céu

1997

Film Photography
B&W resin-coated paper
Hand printed by the artist in the 1990s

18 x 15 cm

Black and white photo taken from below of a modern multi-story building with a facade of glass and metal, with horizontal elements and a clear sky in the background.

Ferros 1

1996

Film Photography
B&W resin-coated paper. 

14 x 22 cm
Hand printed by the artist in the 1990s

Three pears arranged on a plain surface with a white background, in black and white

The End of F***ing World

1995

Previously titled 'Peratração'
Film Photography

21 x 14.8 cm

Edition of 14 + 4AP